Vision & Image Shanghai 2026

Vision & Image Shanghai 2026 is the next edition of PHOTO & IMAGING SHANGHAI, positioned as an annual, trade-oriented event that connects imaging technology, services and culture through a one-stop platform for business, technology and professional exchange. The official show introduction confirms the dates as July 16–19, 2026 and lists Shanghai World EXPO Exhibition & Convention Center as the venue, which is critical for supplier scheduling, visitor planning, and delegation itineraries. The event positioning highlights a broad “imaging + video” direction: photography equipment and imaging output, post-production and art framing, plus livestream and video solutions, reflecting how the market has expanded from classic photography retail to creator workflows, commercial studios, content production, and imaging services. For scale benchmarking, the organizer publishes reference figures such as 64,600+ trade visitors, 80,000+ m² exhibition area, and 350+ exhibitors, indicating a large B2B environment where buyers can compare multiple suppliers across hardware, workflow tools, and downstream services during one visit.

The official positioning frames the show around the full imaging workflow: how content is captured, processed, and delivered as print, framed products, or digital media for commercial use. This is visible in the core exhibit scope that spans imaging input devices (including cameras and video cameras), auxiliary equipment for shooting and stabilization, audio and lighting systems for modern production, display and monitoring tools for on-set control, and post-production products for printing and output. The show’s broader “video trends” and “imaging culture” focus supports practical buyer tasks such as selecting production-ready kits, validating compatibility across devices and software, and aligning hardware choices with real operating models (studio workflows, creator teams, service bureaus, printing and framing businesses). For procurement and engineering visitors, this format is especially useful when the requirement is not a single item, but a stable pipeline: capture → audio/light → monitoring → post → printing/framing, with predictable quality and repeatable results.

The exhibitor mix is built to serve professional buyers who operate in photography, video production, livestreaming, imaging output, and post-production services, where supplier selection depends on reliability, serviceability, and workflow fit rather than standalone specs. The show’s official narrative emphasizes “latest technology and innovative solutions” and a “one-stop professional platform” for trade and technical exchange, which typically attracts brands and distributors of imaging devices, accessory manufacturers, production tool providers, and post-production/output specialists. The concurrent-expo structure further expands the participant ecosystem by linking adjacent professional markets such as wedding photography, baby/children portrait photography, photo printing and art framing, livestream tech, and video equipment, which increases cross-segment traffic and creates more opportunities for targeted B2B meetings. For visitors, this means a higher chance to find complete supplier sets (equipment + consumables + software + services) and to validate commercial terms and after-sales support in direct negotiations.

The official exhibit scope is structured by functional blocks that map directly to professional procurement. Imaging input includes camera, video camera, sport camera, mobile phone, and aerial camera categories; auxiliary equipment covers lenses, filters, tripods, stabilizers, cages/handles, storage media, and batteries; audio systems include sound cards, codecs, headsets, microphones, and capture cards; lighting covers flashes, studio lights, and fill lights; display and monitoring includes monitoring units; post products include printing equipment, post-production equipment, papers, ink and consumables; framing materials and equipment cover glass, frames, lines/hardware and cutting/scanning tools; software covers color management, image processing and editing tools. This breadth supports both buyers who source finished kits and those who optimize workflow performance, because it places capture tools, production systems, and output technologies in one sourcing environment with supplier comparison in real time.

The show venue is listed as Shanghai World EXPO Exhibition & Convention Center, and the official visit guide uses the same venue naming and provides route planning via airports and metro connections for professional visitors. For international and out-of-town delegates, the visit guide’s practical routing (airport → metro → venue) supports dense meeting schedules and reduces planning risk for multi-day attendance. For exhibitors, the venue’s convention-and-exhibition format is aligned with hands-on product demos, sample evaluation and meeting-heavy B2B negotiation flows typical for imaging equipment and production tool sourcing.

The official pages indicate the organizer/rights holder as Shanghai International Exhibition Co., Ltd., and the public contact channel uses the organizer domain email (siec-ccpit.com), confirming the operating entity behind registration and exhibitor services. For participants, this is relevant because it signals a professionally managed annual exhibition with stable visitor services, structured exhibitor support, and a long-running show cycle (the P&I brand is described as founded in 1998 and developed over 20+ years).